|
|
In this 23-minute video, we go over the basics of building a button-down shirt using the Patch Method. We introduce how to use the Rotate tool manually with a user-defined fulcrum.
|
|
|
In this 14-minute video, we apply the house style to our illustration to make sure that our float is consistent with the rest of the team's output.
|
|
|
In this 15-minute video, we go over how to place and resize our garment image, how to image trace a clear outline, and how to use image trace to extract shadow.
|
|
|
|
|
|
In this 25-minute video, we learn how to import graphics from Illustrator into Photoshop, how to create a viable tile, how to move items without the bound of our repeat pattern, and how to trim our…
|
|
|
In this 35-minute video, we use the Rectangle tool in Photoshop to lay overlapping vertical and horizontal prints. We then apply various woven texture to test the result of various weaves. We finally…
|
|
|
In this 28-minute video, we put together our garment line-up for overcoats, making sure to group our garments and to scale them consistently across the board.
|
|
|
In this 25-minute demo, we rework our column guides, reset our document in response to the number of garments we have, and work on our page 1 - Cover Page!
|
|
|
In this 16-minute video, we go over locating our customer's joints and their placement in relationship to the overall figure lengths.
|
|
|
In this 14-minute video, we set up our document, place our image, pull guides for our center front, and create layers that we will use to analyze the future.
|
|
|
In this 15-minute video, we design pattern and texture in Illustrator, export it as a PNG, and apply it to our avatar drape!
|
|
|
In this 15-minute clip, we go over several methods used to embed pictures, all them relying on clipping masks.
|
|
|
In this 17-minute video, we create two extra colorways using the layer cloning method. We fix our masks where need is, and we then edit the pattern and colors used to create rich illustrations in a…
|
|
|
In this 18-minute video, we learn to create fills for the different areas of our illustration.
|
|
|
In t his 17-minute video, we produce a separate layer for our backdrop, delete our white paper, and tidy up the illustration by deleting scanning glitches and ink mark while closing ink lines for…
|
|
|
In this 16-minute video, we set up a new canvas for our illustration. We place-embed our scanned illustrations, combine them, convert them to black and white, and adjust the levels for a punch black…
|